This woodcut, by an artist called Gu Yihua, was reproduced in Zhonghua huabao (Chinese Pictorial) 1.4 (November 1943). The importance of the muke (woodcut) form to artistic practice in occupied China has been almost entirely overlooked in the literature. The muke form has hitherto been almost exclusively associated with the art of resistance in China, despite being an important part of “occupation” visual cultures throughout the war.