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RNG troops with rifles
Photograph of RNG army recruits engaged in rifle practice, possibly as part of the Rural Pacification (qingxiang) campaigns.
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Brother and sister reunited
This unattributed photograph shows a brother and a sister being reunited after three years of separation. The siblings are in the centre of the image, he wearing a uniform, and she wearing what looks like festive clothing. They hold hands. The people around them, a mix of soldiers and civilians, smile broadly. The soldiers are from the Kampuchea United Front for National Salvation (KUFNS, also known as FUNSK) [Front or Renakse]. This image was featured in the publication (French and English versions) The People’s Republic of Kampuchea (1979). This photograph is part of the collection held by the Agence Khmère de Presse (AKP) and Cambodia’s Ministry of Information. This collection, which documents the early years of the People’s Republic of Kampuchea as photographed by the Vietnamese and a small team of Cambodian photographers, has not yet been classified or indexed.
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Village children looking at a poster
This (probably staged) photograph shows a group of village children looking at an illustrated poster celebrating the Kampuchea United Front for National Salvation (KUFNS, also known as FUNSK) [Front or Renakse]. It is part of a series that describes the same group of villagers and soldiers. This photograph is part of the collection held by the Agence Khmère de Presse (AKP) and Cambodia’s Ministry of Information. This collection, which documents the early years of the People’s Republic of Kampuchea as photographed by the Vietnamese and a small team of Cambodian photographers, has not yet been classified or indexed.
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Commercial street in Sihanoukville by night
This unattributed photograph shows a lit building and a commercial street in Sihanoukville city centre by night. The upper floors of the two-story building at the corner are private homes. The ground floor appears to be a restaurant. The photograph is part of the collection that was donated to the National Archives of Cambodia from the Library of the Royal University of Fine Arts by Darryl Collins and Helen Grant Ross in 2003. The collection was used by Collins and Ross for their research into urbanisation. The images were probably originally used to mount the Sangkum Reastr Niyum Permanent Exhibition at the Exhibition Hall, Bassac area, Phnom Penh. This specific photograph was used as an illustration to an article entitled “The seaport of Sihanoukville was a vital necessity for the kingdom” by Jacques Fabre in the monthly pictorial Kambuja, no. 4 (15 June 1965): 65.
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Win-Win Monument bas-relief
This photograph provides a view of bas-relief on the 117-metre-long engraved base of the Win-Win Monument. This section celebrates the achievements of different ministries in Cambodia, in this detail the Ministry of Mines and Energy. The ministry is represented by carvings of electric poles, solar panels, wind turbines and offshore oil rigs. The Win-Win Monument complex – photographed here in January 2020 – was inaugurated in December 2018 to mark the twentieth anniversary of the end of the post-Democratic Kampuchea civil war, with the final defection of the remaining Khmer Rouge factions, thanks to the DIFID policy (“Divide, Isolate, Finish, Integrate, Develop”) also known as the “Win Win” policy of Prime Minister Hun Sen.
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Win-Win Monument bas-relief
The photograph shows a view of bas-relief on the 117-metre-long engraved base of the Win-Win Monument. It depicts the takeover of Phnom Penh in January 1979 by troops from the Kampuchea United Front for National Salvation (FUNSK) and Vietnamese forces. One sees soldiers with a flag of Cambodia passing the Royal Palace. The Win-Win Monument complex – photographed here in January 2020 – was inaugurated in December 2018 to mark the twentieth anniversary of the end of the post-Democratic Kampuchea civil war, with the final defection of the remaining Khmer Rouge factions, thanks to the DIFID policy (“Divide, Isolate, Finish, Integrate, Develop”) also known as the “Win Win” policy of Prime Minister Hun Sen.
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General view of Win-Win Monument Plaza
The Win-Win Monument obelisk (33 metres in height) – photographed here in January 2020 – is part of the monumental complex inaugurated in December 2018 to mark the twentieth anniversary of the end of the post-Democratic Kampuchea civil war, with the final defection of the remaining Khmer Rouge factions, thanks to the DIFID Policy (“Divide, Isolate, Finish, Integrate, Develop”) also known as the “Win Win” policy of Prime Minister Hun Sen.
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汪精衛國民政府領袖於政府總部階梯上合影
身旁圍繞平民及軍官的情況下，汪精衛、臧式毅（滿州國駐汪精衛國民政府大使）及褚民誼（汪精衛國民政府外交部長）於1940年11月30日簽署日本－滿州國－中國聯合宣言後，在國民政府南京綜合大樓禮堂前擺出姿勢供記者拍照，汪精衛國民政府藉由該宣言承認滿州國。
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總奮起
這幅木刻畫出自鉄鷹之手，於《中華畫報》2.2（1944年3月）重製。木刻畫對日據中國藝術的重要性在文學幾乎被全然忽視。木刻畫迄今幾乎特指中國反抗的藝術，儘管該風格屬於戰爭期間重要的「日佔」視覺文化。就這幅畫來言，當中中國男子身穿新國民制服並揮舞中華民國國旗，衝向看不見的敵軍，乍看就像抗戰早期的木刻畫。
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兒童作品，一
這是一系列由讀者提供予《兒童画刊》9.10（1941年4月）的精選圖片（多數為鉛筆畫）。這些圖畫讓我們一窺日佔中國官方對於學生行為的認知，而這些想法均反映在汪精衛國民政府首都孩子的創作中。
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安抵東京；蒞大使館
這張蒙太奇照片出自黃慶樞著之《汪主席訪日紀念畫刊》（南京：宣傳部，1941年）。
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合唱團
本照片取自一系列經過事先安排的照片，標題為「北京女子學校的生活」，拍攝地點位於日佔北京的北京自由學園。原本的標題寫道：「她們迷人的聲音成為華北歷史之都北京的魅力焦點」。