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Rural Pacification cadres rousing peasants
Photograph of members of the RNG Central Propaganda Group’s Number 2 Rural Pacification Propaganda Team leading a rural audience in the shouting of slogans. The photograph was possibly produced by the RNG’s Central News Agency. Note the watchtower in the background flying the Nationalist Chinese flag, suggesting this photograph was taken in a “pacified village”.
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《赤楇筆記：共匪記實小說》
這本書（極可確定由日本軍隊所製作）描述戰亂時期共產主義者對中國山西農民暴力相向，以及反共產主義的中國農村女孩逃亡至當時由日本佔據的北京的故事。此顯然是為了勸阻人民支持中國北方對於共產黨的抗日舉動，並鼓勵農民在佔領初期支持新成立的中華民國維新政府。哭泣的農婦與國際共產主義的邪惡「魔鬼」並列。
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兩個女生為晚餐餐桌挑選花卉
本照片取自一系列經過事先安排的照片，標題為「北京女子學校的生活」，拍攝地點位於日佔北京的北京自由學園。原本的標題寫道：「二個女生為晚餐餐桌挑選花卉」。
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《新中華画報》封面，1943年12月
這張封面影像出自《新中華画報》5.12（1943年12月），呈現一位不知名「現代女性」的彩色照片。《新中華画報》是雙語（中英）刊物，由日佔時期新聞工作者伍麟趾於1939年至1944年時期在上海出版，並發送至中國及東南亞地區。
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前途無量
圖片為在日佔時期於南京針對兒童讀者所出版的雜誌之封面。此影像出自不知名作者。出版細節：《兒童画刊》9.10（1941年4月）的封面影像。
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Mean Saman with foreign visitor at Pochentong Airport
This photographs shows of Mean Saman, president of the National Association of Women for the Salvation of Kampuchea, welcoming foreign female visitor (possibly the president of the International Women’s Democratic Federation) at Pochentong airport. The latter has a flower garland around her neck and holds a conical hat (possibly an indication she has been transiting through Vietnam). In the background, one sees the plane’s empennage and a few other Cambodian women. This photograph is part of the collection held by the Agence Khmère de Presse (AKP) and Cambodia’s Ministry of Information. This collection, which documents the early years of the People’s Republic of Kampuchea as photographed by the Vietnamese and a small team of Cambodian photographers, has not yet been classified or indexed.
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Photographs of prisoners at Tuol Sleng Genocide Museum
This image shows shackles and photographs of prisoners on display at the Tuol Sleng Genocide Museum, the former Khmer Rouge prison and execution centre S.21. The pile of shackles is behind a rope. The photographs of prisoners hang on the upper part of the wall. There are two sections: identification photos of prisoners just after their arrest and arrival in S.21; and, photos of the prisoners who have been tortured and killed. This photograph is part of the collection held by the Agence Khmère de Presse (AKP) and Cambodia’s Ministry of Information. This collection, which documents the early years of the People’s Republic of Kampuchea as photographed by the Vietnamese and a small team of Cambodian photographers, has not yet been classified or indexed.
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Children at the Olympic Stadium, Phnom Penh
This unattributed image of children with balloons and flags at the Olympic Stadium in Phnom Penh, possibly for a ceremony celebrating the fall of Democratic Kampuchea (i.e, the Khmer Rouge). The group includes about fifteen boys and girls. Groups of adults can be seen in the background. This photograph is part of the collection held by the Agence Khmère de Presse (AKP) and Cambodia’s Ministry of Information. This collection, which documents the early years of the People’s Republic of Kampuchea as photographed by the Vietnamese and a small team of Cambodian photographers, has not yet been classified or indexed.
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King’s Villa, Sihanoukville
This photographs of the King’s villa in Sihanoukville, taken from a low angle and showing the the fully lit façade and balcony of the building by night, is part of the collection that was donated to the National Archives of Cambodia from the Library of the Royal University of Fine Arts by Darryl Collins and Helen Grant Ross in 2003. The collection was used by Collins and Ross for their research into urbanisation. The images were probably originally used to mount the Sangkum Reastr Niyum Permanent Exhibition at the Exhibition Hall, Bassac area, Phnom Penh.
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Aerial view of Sihanoukville Seaport
The photograph is part of the collection that was donated to the National Archives of Cambodia from the Library of the Royal University of Fine Arts by Darryl Collins and Helen Grant Ross in 2003. The collection was used by Collins and Ross for their research into urbanisation. The images were probably originally used to mount the Sangkum Reastr Niyum Permanent Exhibition at the Exhibition Hall, Bassac area, Phnom Penh.
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Display of Soviet military equipment, Win-Win Monument
This photograph shows the open-air display of Soviet military equipment located on the southern side of the Win-Win Monument. The Win-Win Monument complex – photographed here in January 2020 – was inaugurated in December 2018 to mark the twentieth anniversary of the end of the post-Democratic Kampuchea civil war, with the final defection of the remaining Khmer Rouge factions, thanks to the DIFID policy (“Divide, Isolate, Finish, Integrate, Develop”) also known as the “Win Win” policy of Prime Minister Hun Sen.
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Win-Win Monument bas-relief
This photograph shows a view of the bas-relief on the 117-metre-long engraved base of the Win-Win Monument. It depicts the UNTAC (United Nations Transitional Authority in Cambodia) mission (1992-93). Different emblematic scenes are represented, such as the return of Prince Norodom Sihanouk and the demilitarisation of different factions under the monitoring of UN peacekeepers. The Win-Win Monument complex – photographed here in January 2020 – was inaugurated in December 2018 to mark the twentieth anniversary of the end of the post-Democratic Kampuchea civil war, with the final defection of the remaining Khmer Rouge factions, thanks to the DIFID policy (“Divide, Isolate, Finish, Integrate, Develop”) also known as the “Win Win” policy of Prime Minister Hun Sen.