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《新中華画報》封面，1944年9月
這張封面影像出自《新中華画報》6.9（1944年9月），呈現上海戰爭時期相當活躍的影視名人陳娟娟的畫像。《新中華画報》是雙語（中英）刊物，由日佔時期新聞工作者伍麟趾於1939年至1944年時期在上海出版，並發送至中國及東南亞地區。
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清鄉宣傳幹部鼓動農民
相片中為汪精衛國民政府中央宣傳部二號清鄉宣傳部成員帶著鄉民群眾一起呼口號。這張相片可能出自汪精衛國民政府的中央社。值得注意的是，背景中的守望台飄揚著國民政府旗幟，意指這張相片於「清鄉區」拍攝。
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和平天使
1941年5月，在汪精衛領導的廣東省政府成立一周年慶祝活動中，一名男孩打扮成和平天使，乘坐花車。背景中的建築是該廣州市的中山紀念堂。
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褚民誼在其辦公室
這張相片經過事先安排，汪精衛國民政府外長褚民誼在其辦公室閱讀雜誌，其辦公桌後方牆上掛有一幅汪精衛的肖像，其身後的櫃子內擺放佛教藝術品。
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RNG troops by a riverbank
A group of RNG soldiers walks along an unidentified river bank. Possibly part of the Rural Pacification (qingxiang) campaigns.
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Chihuo biji: Gongfei jishi xiaoshuo(A record of the Red Peril: A novel recording the deeds of the Communist bandits)
This book, almost certainly produced by the Japanese military, tells the story of communist violence against Chinese peasants in wartime Shanxi, and the escape of an anti-communist Chinese peasant girl to occupied Beijing. It was clearly written to discourage civilian support for the communist resistance in north China, and to foster peasant support for the newly-established PGROC early in the occupation. The weeping peasant woman is juxtaposed to the sinister “devil” that is international communism.
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Chu Minyi with film camera
The RNG foreign minister Chu Minyi tries his hand at filmmaking in this undated photograph. Next to him is (possibly) Chen Guoqi (a photographer for the RNG’s Central News Agency). The RNG Minister of Publicity, Mr Lin Baisheng, is on the far left of the image. This image was taken as Chu Minyi filmed a Cabinet meeting convened by Wang Jingwei in the summer of 1940. Newsreel footage of the event can be found here.
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鳳陽姑娘
這幅木刻畫出自藝術家方文星之手，於《中華畫報》1.4（1943年11月）重製。木刻畫對日佔中國藝術的重要性在文獻中幾乎被全然忽視。木刻畫迄今幾乎特指中國抗日的藝術，儘管該風格屬於戰爭期間重要的「日佔」視覺文化。
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洗衣服時間
本照片取自一系列經過事先安排的照片，標題為「北京女子學校的生活」，拍攝地點位於日佔北京的北京自由學園。原本的標題寫道：「顯然這些女生享受『操持新家務』」。
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女生們都住在宿舍內
本照片取自一系列經過事先安排的照片，標題為「北京女子學校的生活」，拍攝地點位於日佔北京的北京自由學園。原本的標題寫道：「她們正在做功課」。
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Empty alleyway, Phnom Penh
This picture shows a small, empty alleyway littered with rubble in Phnom Penh. It was probably taken in the days following the city’s takeover in January 1979. This photograph is part of the collection held by the Agence Khmère de Presse (AKP) and Cambodia’s Ministry of Information. This collection, which documents the early years of the People’s Republic of Kampuchea as photographed by the Vietnamese and a small team of Cambodian photographers, has not yet been classified or indexed.
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Win-Win Monument base
This photograph shows an empty section of the 117-metre-long engraved base of the Win-Win Monument, with traces that show some work has been done and subsequently removed. The Win-Win Monument complex – photographed here in January 2020 – was inaugurated in December 2018 to mark the twentieth anniversary of the end of the post-Democratic Kampuchea civil war, with the final defection of the remaining Khmer Rouge factions, thanks to the DIFID policy (“Divide, Isolate, Finish, Integrate, Develop”) also known as the “Win Win” policy of Prime Minister Hun Sen.